The Cloisters: Fort Tryon Park by Broadway and 190th Street

The Cloisters is a part of The Metropolitan Museum of Art but is located way way up on the upper west side (can you call this area the upper west side or is this the Bronx?).  It was one of the first contextual museums in the United States.  It is dedicated to the art and architecture of medieval Europe (500 to 1500 AD), covering both the earlier Romanesque period and the Gothic era.  It was never a monastery or a convent; it was originally built over 3 years and opened to the public in 1938 as a museum funded by John D. Rockefeller, Jr.

George Grey Barnard started collecting medieval art and architectural remnants (abandoned in the aftermath of the French Revolution) while he was living in France (trying to make a living when his commission for sculptures for the U.S. Capitol in 1902 was whittled back -- fall out of government corruption). After his return to the U.S. and after some financial hardships, he was forced to sell his collection at auction.  Rockefeller purchased the collection and later donated it to the Met.

The collection at the Cloisters is predominately religious in nature (not art that ranks high on my list of interests), and there are the beautiful, but predictable stained glass windows, religious paintings, religious sculptures, and religious objects (see detailed carving with over 90 figures in ivory cross at left), vessels and vestments.  Their collection also includes tapestries (you have to see the unicorn series in person to really appreciate their detail, beauty and symbolism) and sepulchers (see tomb effigy of boy (probably the Count of Urgell of Spain) at below right).


There was one tomb that we talked about in detail during the hour long guided tour of a knight -- definitely go on the tour (Tues-Sun at 3 pm, but check www.metmuseum.org for latest info on tours and lectures--by the way, notwithstanding what the website says, there are no shuttles between The Cloisters and The Metropolitan Museum of Art) if you want an interesting, interactive inside look.

However, what really makes this museum worth a good long visit (and their $20 for adults, $15 for seniors recommended donation--I didn't spring for the $7 audio tour and did not feel anything lacking given the free guided tour I took) are the cloisters, gardens and architectural mix of medieval and modern (see mid 12th century apse from the church of San Martin at Fuentiduena (Segovia) at left).  They have taken great care to combine real antiquities from all over Europe within a modern building in an integrated and almost seamless way. It's remarkable how they tied in the glass from one castle to the chapel of another married with the ceiling of another with doors (please take the time to notice the doors; you could walk right by them if you don't pay attention and their collection of medieval doors is worthy of a tour on their own) from yet another and make it look like it all belongs together.

For me, the highlight of the museum were the four cloisters.  The architecture that enabled monks to get from one part of a religious compound to another with protection from the weather form restful, garden-filled areas surrounded by arches of unique columns and capitals.  They are all beautiful, and when the garden tours start in May, I am sure the cloisters will be even more so.  I've included my version of artistic photos of each of the four cloisters below.  Enjoy!

St. Guilhelm Cloister which is fully enclosed by an atrium roof

Trie Cloister by which you can enjoy light dining from Cafe Trie

Bonnefort Cloister from the edge of which you can see scenic views of the Hudson River

Cuxa Cloister, which they have determined was double in size originally

Pontant Chapter House where monks would gather to conduct business at NW corner of Cuxa Cloister

St. John the Divine: Amsterdam Ave and 112th Street

St. John the Divine, w/ Partially Completed South Bell Tower

WOW!  All I can say is that everyone should take the time to go up to St. John the Divine for their "Vertical Tour" (purchase tickets at https://www.ovationtix.com/trs/pr/700525).  After visiting St. Patrick's Cathedral earlier in the week, I thought, "Why am I trekking all the way up to St. John the Divine?"  But was I ever glad that I did.  There is no experience quite like it.

First off, the cathedral is the largest cathedral in the world (yes, larger than St. Patrick's, which is only the largest Catholic cathedral in the U.S.), so the Gothic arches are spectacular and the stained glass windows (most from the 1930s) were plentiful and beautiful (see above, left and right photos).  Each of the 14 themed bays with these windows depict predictable religious and very unusual secular images honoring professions like communications (with a TV!), medicine, arts (with Poet's Corner stone plaques honoring the likes of Mark Twain, Edgar Allen Poe, and Gertrude Stein), and sports.

Secondly, the cathedral has some very distinguished art.  The front doors (3 tons each, 18' high and 6' wide) are cast, with scenes from the Old and New Testaments, by the same company, Barbedienne of Paris, that cast the Statue of Liberty.  There are art pieces ranging from the rare Barberini tapestries from the 17th century, the Guastavino roof tiles (similar to the ones in the lower level of Grand Central by the whispering arches--see my post on Grand Central) in the domed roof of the "temporary" crossing, and a white gold triptych by Keith Haring in 1989 (the last work he created before his death in 1990) (see above right). 

Then there is the 40' in diameter Great Rose window (the largest in the U.S.) above the front doors (see left).  My photo doesn't do it justice, but needless to say, it is really breathtaking.  Even the central nave (see right) and the flanking aisles are awe inspiring with their sheer height, appearing to reach toward the heavens with their long thin lines that seem too delicate to support such high domed ceilings.

Oh, but I haven't even gotten to the Vertical Tour--so distracted recalling all the general fabulousness of the cathedral.  You can take one of the many general tours that are offered (both self-guided and guided) (see www.stjohndivine.org), but if you can manage walking up 12 stories worth of narrow spiraling stairs, you should really try to schedule in the Vertical Tour ($15 for adults and $12 for seniors and students).  You will not be disappointed.

View from Outside of Flying Buttress

As you climb up, you take several stops, going out on the flying buttresses (see below left photo taken from the flying buttress), standing on the mid-level passageway, standing on a landing between the domed roof and the steel supported protective outer roof, and the finally standing on the outside of the top roof with fantastic views of Morningside Heights all the way down to the Empire State Building (see above right).  There is really nothing quite like this tour.  You get a chance to see the beautiful stained glass windows at eye level (look back at the photos above), look through hand crafted flower "portals" about 100' above ground level (see below), and really get to appreciate the grandeur of the cathedral's Gothic arches in a way that is not possible from the floor of the cathedral. 

 

Hand Carved Wooden Choir Seats

View of Main Altar in Romanesque Style

I should also spend a little time addressing the older, original eastern part of the cathedral, which was done in the Byzantine-Romanesque style.  This part of the cathedral (which includes the choir area (see below left), the main altar (see below right), and the 7 chapels) was started in 1892 by the architectural firm of Heins and LaFarge and wasn't completed until 1911.  The rest of the cathedral was re-designed in the Gothic style by Ralph Adams but even the central nave wasn't completed until 1941 (one week before the bombing of Pearl Harbor, which again stopped construction).  The south bell tower was started again in the 1970s but was not completed and there are no current plans for the completion of that tower, the north tower, or the transept (the "arms of the cross" part of the cathedral)--you can see the rough hewn nature of the "temporary" stonework in the crossing portion of the cathedral, which is also quite interesting to compare against the finer stonework of the cathedral.

I will let you discover the rest of this magnificent NYC site for yourselves, but will post some additional photos with captions (below) to share the rest of my memorable visit in brief.  I think what this cathedral needs is a great benefactor like Steve Jobs, Bill Gates, or Oprah (or all of them) to complete the remaining 1/3 of the cathedral.  In the meantime, PLEASE visit this cathedral and support the congregation of only about 200 (the cathedral could seat over 4,000).  Enjoy!

North Side Aisle by Central Nave

View of South Side Aisle from Interior Arm of Flying Buttress

Intersection of Bay and Nave from Interior Arm of Flying Buttress

View of Cathedral Close with Peace Fountain

View from Roof of Decorative Spires and Unfinished South Bell Tower

Altar in Main Eastern Most Chapel, St. Saviour

Intricately Carved Altar and Stained Glass in St. James Chapel

St. Patrick's Cathedral: 51st Street and 5th Avenue

St. Patrick's Cathedral offers by appointment only tours for 10 or more but not for individuals (probably too many would be interested and be too infringing on the practicing Catholics worshiping in the cathedral?) (to schedule a group tour, contact Roberta Shea at 212-355-2749 x409 or RSheaspc@aol.com).

When in 1850 New York became an archdiocese and Bishop John Hughes became an archbishop, he decided that a larger northern cathedral was needed to properly represent the increasing numbers, intelligence and wealth of the Catholic population in New York.  At the time, most people thought his ambitions were a "follly," as the area where the cathedral was planned was mostly wilderness, but Archbishop Hughes' prescience correctly predicted that one day this location would be in the heart of the City.  Renowned architect James Renwick was commissioned in 1853, the first stone was laid in 1858, and the cathedral was consecrated in 1911 (when it was estimated that to that point about $4 million had been spent).  The gothic style cathedral is clad in white marble but the City pollution makes it much darker (see photos above).

Northern Aisle

Northeast Crossing of Axis and Transept

This is the largest gothic style Catholic cathedral in the U.S. and although tourists abound, there is a quiet calm about the place.  Like most traditional cathedrals, the structure of St. Patricks Cathedral is in the shape of a cross, with a central east-west nave (see below left), side aisles (see above left), and a crossing transept forming the "arms" of the cross (see above right).

Central Nave

Front Door of Central Portal

The architecture and the stained glass windows (esp. the rose window on the west side) are absolutely spectacular, and even though I am not religious, the architectural detail and overall grandeur (and perhaps all the praying Catholics) instill a sense of awe.

While I would have preferred a guided tour that I am sure would have enriched this visit even more, I was glad that I took the time to really look at all the alters (each dedicated to one or more saints), The Lady Chapel (which was light and beautiful), and the amazing 20,000 lb. bronze west facing front doors (see above right).

Yes, there are a lot of Gothic style churches are plentiful in NYC, but really, this is a special place that is worth a visit.