Showing posts with label Beaux Arts architecture. Show all posts
Showing posts with label Beaux Arts architecture. Show all posts

Friday, June 3, 2011

The Hispanic Society of America: Broadway and 156th St

Statuary in Audubon Terrace in front of the Society with iconic equestrian statue of El Cid
by American sculptor, Anna Hyatt Huntington
 WHAT A HIDDEN JEWEL!

The Hispanic Society of America has an amazing collection of tin-glazed earthenware, tiles, and ceramics ranging from 3000 year old Bell-Beaker pottery to contemporary works.  Their 150 piece Spanish luster-ware collection is considered the finest in the U.S. (see right--ok, the plate I chose to feature was one that I was personally drawn to because originally I thought the dog pictured was a poodle, like my beloved Biscuit, but I think, given that this is the Hispanic Society (and not the French one), it is probably a Portuguese Waterdog)  Other decorative arts include silver, glasswear, ivory-detailed furniture, silks and embroidery, and jewelry.


If your interests lie in sculpture or archeology, the Society's collection of Spanish antiquities, which is considered the most important outside of Spain is simply amazing.  There are Roman mosaics, statuary, Islamic and Christian works from the Middle Ages.  What sets the Society's display apart from others (like the fantastic one at The Cloisters -- see my prior blog), is that visitors can really get up close and personal with the pieces (see detail in an architectural remnant at left). 

Actually, I think that they receive such few visitors -- I was the only visitor there for over an hour! -- that the guards don't really do much of anything.  Please give these guys something to do and visit this magnificent art collection; it's always FREE!

But really, the crown jewel of the Society's collection are its paintings.  They have original paintings by, among others, Diego Velazquez, Francisco de Goya, Domenikos Theotokopoulos (El Greco -- see right), and Joaquin Sorolla y Bastida.

The Sorolla paintings are my absolute favorite--it reminds me of the Sorolla Museum (which was once the painter's home) where I spent countless afternoons when I lived in Madrid during my junior year in college.  The way Sorolla captures water and sunlight on skin in summer time beach scenes is something that I have never forgotten and believe no one can match (see left and right--yes, I know these pictures are terrible, but hopefully that will encourage you to come see them for yourself).


The Sorolla Room's breathtaking panoramic series of 14 canvases illustrating life in Spain in the early 1900s is a beautiful way for the Society to share with visitors a celebration of Spanish culture, costumes, and pastoral life.  I have included some pictures below, but really they do not do the paintings justice and you should really visit the galleries here (Hispanic Society Info).




I can't emphasize this enough.  After several months of exploring NYC I think this place is really one of the best kept secrets and hidden jewels of the City.  Please visit The Hispanic Society of America.  You'll be abundantly rewarded for the effort of coming all the way up to 156th Street.

American Academy of Arts & Letters: 156th and Broadway

"Texas Swing" by Malcolm Morley.  Oil on linen, 80.5" x 120"
The American Academy of Arts and Letters is an institution that strives to recognize and award emerging artists--painters, sculptors, architects, composers, and writers.  It clearly doesn't get the pomp and circumstance that the Oscars or the Emmys generates, but if you have an interest in any of the represented arts and are lucky enough to have time in NYC when they are exhibiting winning pieces (twice a year; the current show goes from May 18 to June 12 -- check out their website for the latest: http://www.artsandletters.org/), you should definitely take a look.  You could have a very personalized and serene experience (I was the only one visiting during the forty-five minutes I was there).
"Years Later" by Amy Bennett. Monotype: oil on paper, 18" x 22.5" framed
I particularly liked the fact that Academy members were the ones who were manning the 4 galleries.  These "security guards" are actually artists and obviously have a real interest in the art and exhibition space.  They are more than willing to share their insights, thoughts, etc. and that is a real treat.

Architectural Presentation Model by Robert A. M. Stern
I particularly liked a few of the paintings (see first two photos above) that caught real life details and light in an almost surreal way.  I was fascinated by the architectural models (see above), especially the Disney casting center and feature animation buildings as well as the deconstructed Mickey Mouse seating (perhaps once a cast member, always a cast member? -- I once worked for the Mouse).  Also, there were several cabinets filled with recently published books displayed with manuscript pages (see below); it got me thinking about the process of writing, publishing and possibilities....

A well-timed visit to the American Academy of Arts and Letters can be an inspiration to the opened heart and mind.

Thursday, March 24, 2011

US Customs House: One Bowling Green

The Alexander Hamilton U.S. Customs House is now the Smithsonian National Museum of the American Indian.  I'll first describe the history of the U.S. Customs House and then the Native American exhibits.  You can find out more information about the U.S. Customs House at http://www.oldnycustomhouse.gov/ and information about the museum at http://www.nmai.si.edu/.  I enjoyed my visit to this site for both the history and features of the building as well as the learning and meaning one can get from the collection exhibited inside.

The building is a great example of Beaux Arts architecture, designed by Cass Gilbert, and completed in 1907.  The building is so grand that it has had numerous cameos in movies, including "Ghost Busters II," "Working Girl," "Batman Forever," and "Analyze This." 

The seven story building (only the first 2 are open to the public) is adorned with stately columns and four large sculptures by Daniel Chester French (better known for the Lincoln Memorial in Washington D.C.) representing America, Asia, Europe and Africa.  The sculptures reflect the then-accepted stereotypes of each continent: America and Europe are shown as active, intelligent, capable and ruled by law (see America, above left).  Asia is passive, withdrawn and exotic, while Africa (see above right), leaning on a weathered sphinx, is actually asleep!

The building's interior is beautiful, with its curved stairwells, marble inlays, elliptical rotunda with 140 ton skylight, and murals by Reginald Marsh (whose work can also be seen in the Whitney Museum, the MOMA, and the Post Office Administration Building in Washington D.C.), depicting the "life of a ship entering NYC" (these murals were done as a commission, but with all the work that went into the difficult project, it is said that Marsh was paid a mere $0.90/hour).  The central desks from the time when this building functioned as a customs house remain, and there are numerous placards describing the history and restoration of the building that line the desks--definitely take the time to read these if you can.

The National Museum of the American Indian is very kid-friendly.  There are classes, story-telling, interactive displays (see right), and more (check out their website for events).  I was taken by the wonderful story of the raven who stole the stars, moon, and sun and the stunning glass work by the artist Preston Singletary currently exhibited through September 5, 2011. 

Also, the current exhibit featuring the Horse Nation is incredibly educational while being beautiful.  I learned that in the 1800s native trade routes were established and rates for horses (who were considered to be essential for life and like family pets--like dogs) were steep; for example, a race horse was worth 10 guns and a riding horse could be worth a gun and 100 rounds of ammunition.  The Apsaalooke (Crow) Nation from the Northern Plains of Montana (who rode in the inaugural parade for President Barack Obama) dressed their horses and used highly decorated equestrian equipment as they might adorn themselves (see horse installation above with items circa 1880-1890).   

The detailed bead work of the Inuit parka (c. 1890-1925) from Chesterfield Inlet in Canada (see right) and the Ktunaxa gauntlets from British Columbia, Canada made in 1890 out of deer hide, silk thread and cotton cloth (see below) are made to be not only be used but admired.  There was so much in the normal collection on view that I cannot possibly do it justice here, so I encourage anyone with an interest in beautiful, detailed handiwork to make there way to this museum.  Like the best things in life, visiting this museum is free!

Lastly, I want to make a pitch for the gift shop.  They have a good selection of Native American made jewelry and pottery that is both ethnic and modern.  I particularly liked the Acoma pottery--really beautiful and not too expensive given the quality and authenticity.