The Wuming group was made up of artists who met in secrecy. Many of them came from families that were disjointed, with the parents and/or the children sent away by the government to labor camps or farms. Their art was considered subversive and they met by forging transportation papers and met in remote rural areas and in private homes to paint. Their hardships were innumerable and their art dramatically expressed their melancholy and desolation.
The caocao she group formed with the purpose of putting together an artists exhibition. Their non-traditional (non-government approved) style led them to name themselves the grass society, alluding to their irrepressible nature, like "weeds that persist after spring flowers fade." Their abstract ink paintings and oil paintings are interestingly very similar to western abstraction. There is definitely an Asian feeling, but there is a modernism that is remarkable in Communist China in the 70s and 80s.
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Unfortunately, there is no photography allowed in the galleries, so the only way you'll get to see this amazing collection is if you go to the institute yourself. Admission is $7/adult and $4/students and seniors, but free on Tuesday and Thursday evenings (6-8 pm). Please make a visit and take the time to read the descriptions of each collection. You'll get an incredible insight into life in Communist China after the Cultural Revolution through 1985 (when modern art was officially permitted by the Communist Party).
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